The Intellectual Perspective of Contemporary Iraqi Art and its Implementation in the Productions

Abstract

The research dealt with the tagged: ((intellectual perspective in contemporary Iraqi art and their implementation for the products of students of the Department of Art Education)); The nature of the concept of intellectual perspective in contemporary Iraqi art and its implementation for the products of students of the Department of Art Education, and it has four sections: the first section concerned with the methodological framework The research represented: The research problem that dealt with highlighting these perspectives and their fundamental connection with drawings of the fifties and sixties of the twentieth century in the contemporary Iraqi formation, as the nature of contemporary Iraqi art relates to many references, extending from the arts of ancient Iraqi civilization and passing through art. Islamic and folk heritage, as well as modern European art, which took a clear place in the methods of Iraqi painters who benefited from the data and mechanisms of working this art on the diversity of its methods of production in terms of shapes, ideas and techniques used, as it contained the two aims of the research, namely:

1- Learn about the intellectual perspective in contemporary Iraqi art of drawing. 

2- Exposing and directing interest in drawing material because of its intellectual perspective, methods and various techniques that enter into the artistic product and disclose the students' creative abilities. 

While the limits of the research were limited to studying the intellectual perspective of contemporary Iraqi art , As for the second section, it contained two topics, the first topic dealt with two paragraphs, the first: (contemporary Iraqi art, its beginnings and its origins ) and the second paragraph: (the contemporary Iraqi art schools and their characteristics) through a review of the features of Iraqi art and art schools and their methods, while the second topic was concerned with (perspectives) Intellectual thinking in contemporary Iraqi art) through a review of the experiences of Iraqi painters of the fifties and sixties, whereby the Iraqi artist was influenced by the social, cultural, political, civilizational environment and folk heritage, and the Iraqi artist drew many topics influenced by his environment, he painted the village and the Arab woman Oz, which played the role of mother and grandmother and application in the market and which is drawn by visiting the holy sites, and the need that prayed to God and many other topics, with different intellectual perspective. for the third section of the research, it deals with (research procedures). The researcher defined his research community, his sample, his method and his tools in analyzing the selected artworks, as samples of the artistic paintings represented in the contemporary Iraqi art of the artists for the fifties and sixties for the period (1955 - 1969 AD) were also included, and it also included analyzing the students' results. For the year (2017-2018), by adopting the descriptive analytical approach in addition to the analysis form approved by the experts in the theoretical presentation and interpretation in the analysis of research samples. The researcher chose his sample for a group of the artists' products, in which their intellectual, social, cultural and heritage perspectives were distinguished. As for the fourth section, while the final section contained the results of the research, and its conclusions, as well as recommendations and proposals, the researcher reached a set of results distributed among the two objectives of the research, including: